And I think we really hit it off musically as well as personally.”
So when I heard he was up for it, I was delighted to have a chance to work with him in the studio on this project. He’s on both sides of the musical spectrum. And by the same token, he’s got the rock and blues thing covered too. He’s just a bebop wizard, he’s got an incredible jazz feeling. He’s a lot jazzier in terms of his phrasing. “And I liked the idea that it would take me away from what some people call ‘smooth jazz,’ which is a moniker that I don’t really love. “I was definitely very enthusiastic about it because I knew it would be something different and challenging,” added Lorber. “As far as my conception for this collaboration, I thought working together would create something new and different, which was compelling to me.” “Jeff and Mike both admired each other’s musicianship and talent,” he said. Sensing a natural blend between the two, Haslip proposed the collaboration. The bassist had also cultivated a longstanding musical relationship with Lorber, having played on and co-produced six of the keyboardist’s previous albums - 2010’s Now Is the Time, 2011’s Galaxy, 2013’s Hacienda, 2015’s Step It Up, 2017’s Grammy-winning Prototype and 2018’s Impact. Haslip was already well acquainted with Stern’s playing, having recruited him for the Yellowjacket’s 2008 album, Lifecycle, and follow up two-year tour.
(The title is a joking reference to This Is Spinal Tap’s Nigel Tufnel, who proudly demonstrates in the 1984 movie how his amplifier has a volume knob that goes to eleven… “for when you need that extra push over the cliff.”) And rather than being a musical Odd Couple, it turns out that Lorber and Stern fit hand-in-glove on the ten scintillating tracks that comprise Eleven, set for release on Septemvia Concord Jazz.
In subsequent years, each staked out his respective musical territory - Lorber, the electric maestro from Los Angeles, pioneering the post-fusion sound of contemporary jazz with his radio-friendly, groove-oriented instrumental music Stern, the esteemed six-stringer from New York, lending his considerable chops to bands led by Jaco Pastorius, Michael Brecker and Joe Henderson as well as groups like Steps Ahead, Vital Information and the Brecker Brothers while also leading his own band and cutting 18 recordings under his own name.Ĭredit bassist-producer Jimmy Haslip, a charter member of Yellowjackets, with bringing these two seemingly disparate musical forces from opposite sides of the country together. We were just in different orbits, me and Jeff.” “Jeff Lorber Fusion and Miles Davis were playing some of the same festivals back then, so I got to hear him play.” For his part, Stern offered, “To be honest, I was aware of him, and had heard a bunch of good things, but I had never really checked him out. “I’ve been a fan of his for a long time,” said the keyboardist, who was touring hard in support of his hit records Wizard Island and It’s a Fact in those analog days. GRAMMY Award-winning keyboardist/composer/producer Jeff Lorber recalls seeing guitarist Mike Stern during his much-ballyhooed tenure with Miles Davis in the early ‘80s.